Alas, only “Joan Is Awful” proves a successful execution of the theme. If anything, the most pressing concern this time is what our frivolous entertainments are costing us. (The conclusion offers a shocking jolt, however.) But “Beyond the Sea” wastes its juicy central concept and Aaron Paul’s finely calibrated lead performance on a relatively mundane personal conflict, and offers disappointingly little insight into how these miraculous mechanical forms might transform the way people think of themselves or relate to each other. Black Mirror has always focused on the intersection between human nature and scientific advancement, and its smartest chapters have zeroed in on the intricate ways that each feeds into the other. This set’s only other true sci-fi outing is “Beyond the Sea,” set in a stylish alternate version of 1969 in which astronauts can transfer their consciousnesses between their space-bound real bodies and their realistic robot replicas on Earth. Embargoes forbid me from saying too much about how her predicament plays out, but suffice it to say it’s classic Black Mirror - a darkly funny mind-bender that weaves together modern anxieties about surveillance, the emptiness of “content,” and what precisely we’re signing away in those terms-and-conditions pages we never bother to read. By that, I mean the exact moment that finds you sitting down to watch “Joan Is Awful” on Netflix: Its heroine, Joan (Annie Murphy), is an ordinary woman who opens up Netflix (sorry, “Streamberry”) one evening to discover the service’s latest release is a Salma Hayek Pinault drama based on the most intimate details of the day she’s just had. The lone exception to this rear-facing perspective is the premiere “Joan Is Awful,” which takes a puckish, Charlie Kaufman-lite approach to the current moment. To wit: Three of the tales are set in earlier decades, while a fourth unfolds in the present but mainly focuses on events of the past. Taken as a whole, though, it’s striking how much less emphasis is placed on extrapolating from TikTok or ChatGPT, and how much more on our already realized past and present. We were impressed with the gaiter’s ability to keep rocks, dirt clods and even water out of the boot.Cast: Zazie Beetz, Samuel Blenkin, Monica Dolan, Paapa Essiedu, Josh Hartnett, Salma Hayek Pinault, Myha'la Herrold, Kate Mara, Annie Murphy, Aaron Paul, Daniel Portman, Clara Rugaard, Anjana VasanĪs in previous years, each of the five new installments on Netflix (running 40-80 minutes each) functions as a stand-alone narrative, linked only loosely through sporadic Easter eggs. Luckily, Alpinestars has implemented a soft microfiber gaiter to help seal out excess water and dirt. They allow air (and dust) to permeate the inner bootie and your riding socks. We didn’t notice the vents while racing, but that’s to be expected. The MXA wrecking crew noticed the increased airflow when riding through the pits, riding slow on the track or when trail riding. Alpinestars claims 34-percent-better heat dissipation on the Tech 10 Supervented boots compared to Alpinestars’ non-vented offerings. Once inside, air flows through open channels in the sole of the inner bootie to cool your feet before exiting through the exhaust ports at the back and on the sides of the boot. The patented construction was designed to stream air into the boot through two inlet ports in the toe box and through the mesh intake material behind the straps on the front of the boot. With the Rally spanning 4900 miles over 13 days in the deserts of Saudi Arabia, vented boots can make a big difference. The Tech 10 Supervented boots were originally designed for Alpinestars off-road star Ricky Brabec, the first American rider to win the Dakar Rally.
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